Music Marketing

Make a music video for free

How To Make A Music Video
On Your Own For FREE

By Gregory Douglass Estimated reading time: 6 minutes

written by: Gregory Douglass

So many bands and musicians have had success through viral music video outlets like Youtube. The demand for video is only increasing so it’s time for you to get in on the action. Youtube is still the second largest search engine in the world, and in case you forgot, that’s how Justin Bieber was discovered (how could you forget?) You could easily spend thousands of dollars on a sharp looking, professionally-produced music video – but if you’re just getting started, you probably can’t afford that. That’s no excuse for bypassing music videos altogether though. As a musician, you can’t afford not to have them these days, so here are six steps on how to make a music video on your own for free for those of you who are brand new to the world video:

1. Choose your strongest song. Assuming that you’re a recording artist, you probably have a least a handful of brilliant songs already recorded that you can choose from. Be sure to pick your strongest song, but don’t just take your own word for it – get some second opinions! Chances are, your favorite song isn’t necessarily your strongest song – at least not according to everyone else. Ask your fans, friends, and family what they think is your strongest – then do yourself a favor and take their word for it. This should set the stage for more consistent results from the music video you’re about to make. Understand that your music video will be an incredibly powerful promotional vehicle for whatever song you choose, so make it a strong one!

2. Choose your video equipment. Assuming that you already have a laptop, computer, smartphone, tablet, or camera with video capabilities – you’ll have plenty of equipment options to choose from. If you don’t have access to any of these devices, you probably have a friend who would be kind enough to let you borrow something. All of these devices come with some sort of internal camera and video recording capability, so choose whatever works for you. Since you’re making a music video, the audio component of whatever device you choose won’t matter because you’re eventually going to replace the audio with the pre-recorded audio of your strongest song. I use a Canon Vixia consumer camcorder myself – which is HD quality for a reasonable price – but you can use your shiny new iPhone 5MacBook Pro, or something as affordable and easy to use as a Flip MinoHD Camera.

3. Create your concept. What kind of imagery comes to mind from the song you’ve selected? What kind of music video do you want to create? For example, you can choose to create a more traditional, story-driven music video, or a live performance-style music video. With a story-driven music video, you might consider doing some acting or filming various places, people, things, or circumstances that support your storyline or imagery. Get creative here and make the most out of what you have to work with already. Is there anything just lying around the house that you can incorporate? Include footage of you lip-syncing a performance, lip-syncing a studio recording session, or capture footage your band performing the song. This will also work exclusively for a live performance-style music video, and you’ll be better off lip-syncing to your pre-recorded song verses singing it live for sake of better audio quality.

4. Choose your locations. Keep it simple and stick to 1-3 locations for your music video. They can be anywhere that supports your storyline or imagery – even three different rooms in the same house works. Is your song dark and brooding? Consider darker locations with softer lighting. Is your song happy and inspiring? Consider brighter locations with wide, open spaces. Shooting outside during the day always offers ample lighting, and cloudy days are particularly helpful in regulating the light because clouds act as natural light diffusers – so long as it’s not raining on your video equipment! If you want more indoor lighting regulation, be sure to have some good lighting options on hand – such as strong overhead lights with dimmers or spotlight lamps – and experiment with each lighting source.

5. Shoot your video. Experiment with various camera angles and positions before you start recording full takes. You might discover you have a more visually striking side or angle, and you might discover the same about your location. Once you’re ready to press record, plan to perform or lip-sync to your song 2-4 times, and aim for 2-4 takes for everything you decide to film as a general rule of thumb. This will give you more than one option for every point in the song, just in case you had something between your teeth during the first take. Nothing is more discouraging than putting the time and effort into filming just to realize you have to do it all over again, so always create options! This rule of thumb is particularly helpful when you’re filming yourself because no one will be behind the camera to keep an eye on things while the camera is rolling. Consider various different angles for each take so your options are diverse when it comes time to edit. Different angles might include a wide shot, a waist shot, a close-up shot, and a handheld shot.

6. Edit your video. Editing your own music video can be as much fun as creating a concept and shooting your music video, so don’t be afraid to learn. It’s exciting to bring your footage to life, and it requires more of your own creativity. There are some powerful video editing software options available for premium prices – such as Final Cut and Adobe Premiere – but since we’re talking about making a music video for free, lets take a loot at the freemium alternatives. If you have a computer, you should already have access to free video editing software that is easy to use and simple to figure out on your own. If you’re on a mac for example, you should already have iMovie, and Windows Movie Maker for PC. Youtube even has its own built-in video editing application, though I can’t say I’ve tried it yet. Whatever software you use should have the option to eventually mute or disable the audio from your video footage once you import/upload it into a new project. You might want to keep it enabled until you’re finished editing though, as it will be a necessary point of reference for the song as you extract each clip you want to use to lay over the recording of your song. Once a clip is added to your video timeline and matched up correctly to the appropriate section of your recorded song, you can then disable the video clip’s audio channel. Get creative and play around with all the different takes and angles you’ve captured until you have built a completed music video that you’re happy with, free of charge!

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Let My Guitar Do The Talking… With My Friends

By Rocky Athas Estimated reading time: 0 minutes Less than a minute

Written by: Rocky Athas

I am thrilled to announce the US release of Let My Guitar Do The Talking, an all-instrumental album that I am proud to say is all guitar, all the time. Please click on the video below for a preview.  Enjoy!

LMGDTT

Also, this album is available for purchase, in digital or physical format, exclusively in our new online STORE.





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Fans Not Seeing Your Posts? Two Things You Should Be Doing

My Fans Never See My Posts On Social Media – What Should I Do?

By NationWide Source Estimated reading time: 12 minutes

It really is a problem. Between social media, email, texting, and phone calls (let alone snail mail) there are numerous conversations going on with your fans all the time. If you want to be heard, your communication needs to fly above the fray. The key to doing that, thereby cementing your fan relationships, is quality content and an effective delivery tool. Otherwise, even though you’re talking, no one can hear you.

If you want better solutions for reaching your fans, keep reading.

The Battle For Your Fans’ Attention

We remember when industry pundits predicted that digital communication would make us all much more productive. It turns out that the opposite is true. The constant bombardment of information is distracting, and not at all productive.

In terms of information overload, social media platforms like Facebook are often the worst offenders. You may think that, since you are a performer and these are your fans, your voice somehow filters to the top.  Not true.  Performers get the same priority as everyone else who has something to say. The reality is most of what you say scrolls off the page before anyone has a chance to see it, which means you remain unheard, even if you have a large number of people following you. Why is that? Too much competition for your fans attention.

It may come as a surprise, but the average person on Facebook has over 335 “friends”. That’s like being in a room with 335 people simultaneously talking to you and trying to show you something.

Stepping slightly off topic for a second: Who really has 335 close friends? And even with your actual close friends, would you want to hear every single thing they think or see, every mundane thing they do?  No.  Sure, you want to know the big, even the medium, things: life milestones, how their relationship and careers are going,  what their interests and hobbies are, what they’ve been up to. But the little things?  Not so much.

It is like being a slave to a crazy person’s impulse to over-share all the things that stumble into their brain at any moment. This is what you face as an artist if you intend to communicate with fans on social media. Just more noise.

Let’s look at an actual, typical fan. This fan has 453 friends on Facebook (not counting pages liked or groups joined), has 68 connections on LinkedIn, and follows 259 users on Instagram, 129 users on Twitter, and 152 users on Pinterest. That makes five networks used regularly by this fan, and accounts on two other platforms that rarely get used. Plus a personal email account. And that doesn’t even factor in work-related accounts.

When faced with accounts on multiple social media platforms and hundreds of interactions to wade through daily, the thought of seeing everything becomes a bit daunting. The result is that, despite creating accounts to stay in touch, their connections actually weaken.

It’s easy to see how users can be inundated with information, and it’s clear that you’re fighting an uphill battle. Yes, some of your fans are seeing your information. And yes, there are ways to better your odds, such as paying to boost your posts, or strategically timing your posts. But, in the grand scheme of things, you’re still competing with all that other noise.

Good Content Creates Loyal Fans

While we are on the topic of noise and over-sharing, let us make one point that is critical for your career: do not over-share. When you speak to fans, make sure you have something important and relevant to say, something they want to hear. Otherwise, your fans will classify you as someone who wastes their time. It is like a good relationship that has gone bad; fans can close the door on your relationship as quickly as they opened it.

You may have a better chance of creating a connection with your audience if your communication focuses outward more often than inward. For example, if you are constantly talking about yourself, it might sound too much like self promotion or bragging. Quite often, when I get an artist communication it seems that they are “shouting” at me with their announcement – “Hey, come buy my new album!” Remember that you are talking ‘with’ people, not ‘at’ them. Have something interesting to say that gives insight into who you are, and try to engage fans in a conversation. That’s hard to do if the entire conversation is one-liners from you about your accomplishments, so stay away from “sales speak”. Inspiring fans with real conversation will get them engaged and talking, to you and to their friends about you. Other people talking about you is much more powerful than you talking about yourself.

Now that we have covered over-sharing, we want to emphasize the importance of good consistent communication. It is not our purpose to convince you that less is more. While you do not want to over-share, it is very important to share good quality content on a regular basis. Do not ignore your fans.

There are plenty of topics that are good for sharing, here are a few examples:

  • Announcements. This could be a new album release, concert date, tour, products, promotions, crowdfunding opportunity, last minute texts, etc.
  • Insights. These reveal what it’s like to be a musician or offer a behind-the-scenes look at the industry and your career,  etc.
  • Personal comments about your music, how you write music, what inspires you, your passion for music, how you started as a musician, which musicians are your role models, etc.
  • Fun, short features. Shoot a simple video, tell a funny story, post a picture from a live performance with relevant comments, etc.

Whatever you offer, make sure it is thoughtful and well-presented. It does not necessarily have to be polished and professional looking; sometimes informal and impromptu create a better connection with your fan base because it feels more personal.

As long as we are discussing social media, we encourage musicians to maintain separate social media accounts: one for personal friends and family, and one for their music career. Friends and family can choose to follow both accounts, but fans should not have access to all of your personal comments and shares. Do you really want everyone to have access to the details of your personal life: a list of your family, photos of your kids, embarrassing posts from aunt Nicole and your sister Anna?

The Most Effective Communication Tools

What if there was a way to cut through that noise and truly stand out, to have your message pop up where your fan notices it (in other words, outside those social media platforms)? In our book, there are two methods that help you do just that. 

Method One: EmailsEmail allows you to personalize the communication, control the conversation, and convey a complete message without length limitations. Try to automate this process as much as possible. For example, a fan signing up for your mailing list should auto-generate a welcome email. This is also a great time to offer them a free download for signing up. (If you’re wondering how to capture their email, manage your contacts, and run campaigns, we’ll cover this topic in an upcoming article.)

Method Two: Text MessagesCommunicating via text message with your fans (using an SMS service) is a great way to convey important information. This is the only communication (other than printed material or a phone call) that does not require your fan to log-on to their account to view it. This is completely different from Facebook, Twitter, and most other forms of social media. Text also carries a sense of high priority. When you get a message alert, don’t you check your phone and that message as soon as possible? Most people do.

(See the end of this article for tips on responsible mobile marketing practices.)

If you’re interested in mobile marketing, keep reading as we discuss several text marketing options.

Using An SMS Service

We scoured the internet looking for SMS service providers that offer good features and flexibility at a fair price. Of the services we found, we narrowed it down to two options that we would use.

Mozeo is our frontrunner. You can use keywords or a website widget to allow your fans to opt-in to your SMS contact list, or you can enter contacts manually or by uploading a spreadsheet. Mozeo allows you to enter a lot of fan information besides their name and phone number: address, email, gender, date of birth, and a half dozen optional fields. This is probably because it offers services, like email solutions. For accurate feedback on sent messages, Mozeo provides real-time reports. There is not a monthly fee for Mozeo’s SMS services; it’s simply 3 cents per outgoing message, and incoming messages are free. Keywords are sold separately as one-time fees ($25 for 1, $70 for 3, or $111 for 5). Mozeo also offers email solutions (half a cent per message—you can manage your contacts, design your emails, and send your marketing messages out to subscribers) and mobile web design (at $10 per month, with no limit on pages or sites). Web design includes the option of adding a mobile merchant/shopping cart to your page. Click on this link for a free downloadable guide.

Click here for downloadable guides!

We chose our runner up, Ez Texting, because it operates on its own or as a plugin to other popular platforms (such as MailChimp), and it’s one of the most popular SMS service providers available. Ez Texting allows you to import contacts or add them manually and then sort those contacts into as many groups as you need to. If you need help gathering contact data, you can use the keyword, widget, or QR code features that Ez Texting offers. You can incorporate merge tags to personalize your messages, and you can send text or voice messages to your contacts either when they are written or at a future scheduled time. The site provides you with analysis of sent messages so you can see which messages and acquisition methods are effective. Ez Texting does not charge for incoming messages, which are stored in your account’s Inbox or forwarded to your email address; messages forwarded to your mobile phone do require a credit. Plans range from $29 to $2000 a month, depending on how many messages and keywords you need. There is also a pay-as-you-go option, where messages cost 5 cents each (unless purchased in quantities of 20,000 or more, when a discount begins to apply). Click on this link for a free downloadable guide.

Other SMS Options

While our downloadable tutorials focus on Ez Texting and Mozeo, they are by no means the only options. Here are some details on other SMS service providers:

For MailChimp Users Planning Events: Gather is an event-focused SMS tool available to MailChimp users. MailChimp recognizes that email is ideal for sending event invitations and information ahead of time and for following up afterward, but less ideal for communicating with attendees—sending reminders and updates or receiving live feedback—right before or during the event, when they might not have email access. Gather also provides texting security (by keeping phone numbers private) and ensures that attendees won’t be spammed with text message marketing down the road. As a musician, you could use Gather to communicate with your core fans about exclusive after-parties. What fan doesn’t like that idea?

For SMS Campaigns with MailChimp: Call Loop is another SMS option that operates independently or as a plugin for MailChimp. Your contacts—which are unlimited—can be uploaded in a spreadsheet, synced from MailChimp, or inserted individually. Call Loop offers many of the same features that Ez Texting offers, including Merge Tags, scheduled messages, and auto-respond triggers. There is a pay-as-you go plan at 5 cents per message, or plans range from $30 to $150 dollars a month (depending on the number of messages and keywords you want).

For SMS Campaigns and a Little Extra: ProTexting also offers a variety of SMS features. Subscribers can sign up through mobile keywords or web signup forms, which you can create and add to your website or social media profiles. The site then stores their contact information in your subscriber database. Messages—which can include audio, video, and/or text—can be sent to individual subscribers or to groups, and they can be scheduled or sent immediately. ProTexting encourages paying personalized attention to your fans, such as targeting recipients by location or sending birthday wishes. It also provides analytics on your messages’ performance, so you can see which messages are effective and which aren’t. ProTexting also offers a mobile website builder, letting you create a simple and functional interface for your fans, as well as an app for you to access your account on the go. For self-managed accounts, pricing starts at $70 a month and reaches up to $899 a month; as with the other SMS service providers, the packages vary in terms of how many messages and keywords they include.

Responsible Mobile Marketing

Now, before you go rushing off and start texting all your fans, you should know that there are some rules that apply to text marketing:

  • You must get recipient consent first (i.e., they have signed up to receive communications from you in this manner, and you’ve provided them with information on messaging rates, frequency, and purpose). Note that, if they’re under 13, they’ll also need parental consent.
  • You should not overwhelm fans with irrelevant or redundant information—don’t spam them!
  • You should make it clear who is sending the messages.
  • You should provide opt-out information with your messages and/or on your site.

For more information, we recommend reading this Best Practices guide assembled by the Mobile Marketing Association. You’ll also want to check state laws, both where you live and where your recipients live, to make sure there aren’t further restrictions.

If you’ve decided that SMS marketing is the right step that will give you an advantage in reaching your customers, and you’ve done the research to understand the best practices and laws regulating text marketing, it’s time to start looking for a way to get your messages out where they belong: in front of your fans.




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Not Gathering Fan Data? Are you Crazy?

Not Gathering Fan Contact Data? You are Missing Out on a Great Opportunity.

By NationWide Source Estimated reading time: 12 minutes

Fans are the lifeblood of your music. Learn how to keep them happy, and you will profit from the relationship. Ignore them, or trust your fan relationship to someone else, and you will suffer. Simple, but true.

We have a few suggestions to help you work through how to do this, including a free iPad app that helps to make it easy—read on.

The Right Stuff For A Career in Music

Remember when you were a kid, daydreaming of being a rock star? If you were anything like us, you were singing your heart out while picking out your clothes for the day, or vacuuming the house with the stereo blasting your idol’s tunes, or going all Risky Business while jamming on your air guitar. As a kid, it was so easy to become what you wanted. You just pictured your dream and—BAM—you were livin’ it.

As an adult, you might have realized it’s not as easy as just imagining. You now know that, to be a rock star, you need to have some talent as a singer, songwriter, musician, or performer. Ideally, you’ll be talented in each of these fields, but being extremely talented in just one field might be enough to gain some traction. You may also have realized that not everyone with talent has a successful music career, which means it takes a bit more than talent to make things really happen. That “bit more” includes some pretty mundane—but important—things, like collecting and reviewing data.

When we were growing up, we didn’t know anyone who wanted to collect data or review statistics for a living. It wasn’t exciting or thrilling. It still might not be… but it’s important, even to rock stars. Actually, especially to rock stars. Boring things like collecting data can make the difference between success and failure in your music career. Just remember, in this case, boring equals profitable.

Data Collection and Your Music Career

Let’s explore just one of those boring things today: what are you doing to develop your fan base? You know, your fan base. The people who like your music, attend your performances, visit your webpage, purchase your CDs, download your music on iTunes, and hopefully do more than stream your music online for free. Those people. Do you know who your fans are? What are you doing to develop your connection with them? We hope your answer is more than “ummm…” or “nothing”, because fans are the lifeblood of your music.

We know that musicians can be funny about fans. Everyone seems to have his or her own take on the musician/fan relationship. Some performers prefer to operate in a higher circle than their fans, creating a sense of mystique about their persona; others are quite friendly and enjoy personally interacting with fans. Whichever method works for you is fine… as long as you establish and maintain connections with fans. Don’t be the performer that ignores fans and then wonders why their career is suffering.

Why Knowing Your Fan Base Matters

We had the opportunity to visit with a musician client recently. He noted that he was struggling to sell merch to fans at performances, and he had decided that the fans attending his gigs already owned most of what he had to sell. Since a significant part of his income was coming from merch sales, this presented a problem for him. He told us that he had not released any new music in over 20 months. When we asked him why, he confided that he had material ready, but the expenses associated with releasing a new album were high. He also wondered, given recent low sales, if he would recoup the investment in a new release, yet alone profit from it. Lastly, our client said that he wasn’t doing much beyond social media and the merch table to connect with fans that attended his shows.

His story, especially that last statement, really resonated with us. He noticed that sales were down, he assumed it was because of product saturation, and he struggled with investing in new material. All of that is understandable. But, without solid connections with fans, he couldn’t confirm product saturation, couldn’t reach out to those not attending shows or who didn’t have his existing merch, couldn’t advertise shows effectively, couldn’t test the waters on interest in a new project, and couldn’t use his existing fan base to help fund a new project. He was up to bat, but blindfolded, deaf, and dizzy.

Had he connected better with his fans and owned that relationship, his story could be quite different.

Social Media Does Not Cut It

Don’t get the wrong idea. Our musician does have fans. People come to his shows and buy his music—just not as much as he’d like or as they used to do. And he has followers all over social media. In fact, Facebook was his main source of communication with his fans. He’d post about a gig, and they’d like the status, or share, or comment. He even recognized a few of them at gigs from their profile pictures.

Despite that, he didn’t have a good connection with them. The fans were largely anonymous, his posts didn’t get the reach he hoped, and—most importantly—he did not have direct contact information for them.

Here’s the downfall to counting on social media (or any third party) for your fan connection: it will always let you down.

With social media, you cannot control the conversation or its reach. Sure, you write a post, but you can’t really control who sees it or how they respond. You become just another voice in a long list of voices trying to communicate with your fan. After a short while, your post drifts off to the bottom of the fan’s feed. Even on your own page, it is very hard to control the conversation.

Also, what happens if your fans do not get on Facebook very often or are no longer active at all on Facebook? Anybody remember MySpace? We know of another musician that had over 90,000 people following her on MySpace in the site’s early years; when MySpace fell out of favor, the fans stopped signing on, and she lost the ability to communicate with them. It is a bad idea to base your entire fan experience on a site that may not even be popular in 2 years.

So… what can artists do?

Start Capturing Contact Information From Your Fans

Remember our other articles, where we pointed out that iTunes, Pandora, Spotify, and other services wouldn’t tell you who downloaded or streamed your music? They know how valuable that information is, and they keep it for themselves. Social media is the same: no direct contact information, just an interface that is shared with everyone else trying to communicate with your fan.

Instead, you have to actively work at gathering information from fans. Fortunately, there are steps you can take that make the gathering part easier.

Chimpadeedoo for iPads

At gigs, you should have a sign-up sheet for fan names and email addresses. Better yet, save yourself a step and have fans sign up electronically. If you have an iPad and a MailChimp* account (which we recommend), we suggest using their free app, Chimpadeedoo, for in-person mailing list signup. We tested this software, and it performs well. We’ve even written a guide to walk you through the setup process, including a link to stands that prevent iPads from being loss or damage.

Having a signup list sitting on the merch table probably isn’t enough, though. You need to make its presence and importance known; point out the merch table and your must-have items, and ask people to sign up. Be witty and humorous. Play around with it to see what works.

If this still isn’t enough, you might offer an incentive. You’d be surprised how many people will give you their email address if you give away a t-shirt, CD, or signed mug at every gig. Our musician friend tried this the other night and got 106 people to give him their contact information. Not bad for one night.

Outside of gigs, you should add a signup form to your band’s website and social media profiles. While social media sites are not good for direct, consistent communication, they can be a great place to let fans know about your mailing list. Again, MailChimp makes this easy. If you need help with this, let us know and we will send instructions.

Of course, you don’t want a stack of sign-up sheets sitting in a corner. You’ll need to find a system to keep track of the data on them, and then you can put that data to use. Use your emailing service to help set this up.

Start Communicating

As you collect names and email addresses from fans, you should begin communicating with them on a regular basis… but only when you have something to say. You don’t want to spam them by filling their inbox with repetitive information or meaningless ramblings. Don’t be like so many people on Facebook who have nothing to say but say it quite often.

Instead, you want your fans to feel special, like they are part of an exclusive club. The communication can and should share your current schedule, especially if you make it feel like a personal invitation to those shows, but it can also offer more. Share something revealing about your career, pictures from behind the scenes, or funny stories from performances. Post a “teaser video”; it doesn’t have to be anything complicated, either. One artist we know posts a 20 second video weekly; all he does is play his guitar off-camera for 15 seconds, then ask the fans to guess which guitar it is. The response to these videos is pretty impressive. Be creative and get your readers to respond.

In short, you should focus on communicating with fans regularly and with quality content. If this means you email once a week instead of daily, that’s fine. Just be consistent and be active. Your ability to communicate with your fans on a regular basis develops the relationship. You have to reach out to them.

Also, if you have the cell phone number of your fans, then texting can be a great way to communicate as well. (Hint One: get their permission first. Hint Two: this method might work best for specific messages, such as reminders about a show, instead of every message.) Although not as flexible in format as email, it puts your message right in front of your fan. They don’t have to sign in to an email account or social network to see what you have to say.

Does It Really Work?

Let us share our business experience with you. If fans have a relationship with you and have purchased your music in the past, they are over 30 times more likely to purchase your music in the future. This means existing fans are the biggest supporters of your music career, which in turn means you want to connect with them.

As with any form of marketing, not all recipients will read your material. However, email is one of the more personal and flexible forms of communication you can have. Some email programs allow you to thank fans for signing up or sharing your email by offering a free download, or you could tailor emails to each recipient by including their name in the subject line or message. You could (should) separate your list into groups, emailing grouped fans only about shows in their area (instead of shows elsewhere that aren’t relevant to them) or about product they don’t have yet (if you’ve tracked that). Short of receiving a hand-written letter, emails tailored to each fan is about as personal as marketing gets.

You should also be tracking fan data. When fans sign up for your email list, be certain to include details like the date and event information. Over time, as you interact with your fans, you can develop more detailed fan profiles. Don’t pass up an opportunity to capture more information about your individual fans. In addition to an email address, sign up forms can request or require a fan’s address (or at least a zip code), phone number, age, gender, how they found out about you, and more.

Ideally, some of your fans will become “super fans”. These are the people that absolutely love what you do. When organized effectively, super fans can form a network or street team that drives your success. They bring people to your events, help you promote your merch products, even volunteer to do some of the boring things that you might otherwise have to let slide by. Do not miss the opportunity to engage them.

Back To Our Musician

His past lack of data collection is hurting him, but it’s not too late for his story to change.

He needs to engage his fans in the markets where he is well known. While he thought that those fans were his least valuable audience (because they already have his merchandise), in fact the exact opposite is true. Because they already know him well, they represent a great opportunity for him. If he releases new music, these are the fans that will buy it. They might even fund the project. They just have to know about it first.

Taking action now can turn things around for him. It can work for you, too.

* This post is in no way sponsored by MailChimp. We simply think that it’s a valuable tool for musicians to consider when managing their fan databases and communicating with fans. And in some cases it is free, so it fits almost any budget.




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Why YouTube Is Important, Even If It Won't Make You Famous

Why YouTube Is Important, Even If It Won’t Make You Famous

By NationWide Source Estimated reading time: 9 minutes

First thing’s first: YouTube will not make you famous.

(Don’t misunderstand us. It also doesn’t mean that you can ignore YouTube. It’s an important tool and platform that musicians should be aware of and using. We’ll explain.)

There are exceptions, those few performers who gain international fame because the right person saw their YouTube video, or those individuals who—as a result of their extreme and innate wit, talent, and ingenuity—have gained millions of subscribers and even more video views. We don’t deny that YouTube can make you famous… we just argue that, odds are, it won’t. Here’s why:

YouTube Is Not For Being Discovered

After signing in to your YouTube account, the home page shows videos of other users. The list of popular videos on YouTube are videos that already have millions of views. The list of recommended videos are based on videos you have watched previously. Unless your video has hundreds of thousands of views or is similar to something users have watched previously, it probably won’t show up on other users’ home pages.

Let’s assume that the user wants to find something new, so they click on “Browse channels”. The page shows 14 featured channels, 111 paid channels, and hundreds of channels that fall into categories like Music, Comedy, Film & Entertainment, Gaming, and so on. These categorized listings of channels, while extensive, only scratch the surface of what is available on YouTube. Users can enter a search term, but that will pull up thousands/hundreds/dozens of videos that fit that criteria. Even a specific search term (such as “fort worth folk blues”) brings up thousands (11,319) of channels in the search results.

Looking at the statistics provided by YouTube doesn’t paint a more-encouraging picture. Yes, the market of potential viewers is huge, with more than one billion unique users and more than six billion hours of video watched each month. However, 100 hours of video are uploaded every minute. That’s a lot of other videos for users to wade through to stumble upon yours.

When taken all together, this means it’s pretty unlikely that YouTube will help you be discovered.

You Should Be On YouTube Anyway

YouTube may not be good for gaining random fans, but it does have its uses. When used properly, YouTube is a great way to:

  • strengthen connections with your target audiences
  • learn more about your audiences
  • make a little more money off your craft

These might sound like small things, but they can have a huge impact on your career as a musician. We’ll elaborate on each below.

Using Video to Connect with Your Target Audiences

As a musician, you might think audio should be your focus. In terms of marketing your music, though, it’s widely acknowledged that video is increasingly becoming an essential element of successful marketing strategies. Video allows you to send a message and connect with viewers in a way that text, graphics, or audio alone can’t.

If you’re going to add video, you need to know what your options are. You don’t need to spend millions on a national television ad campaign, but you probably should add a video player to your band’s website or share videos on your various social media accounts. Instagram and Facebook have added built-in video-sharing functions (15-seconds/unlimited time, respectively), and applications like Vine focus on creating video and sharing it (either with your followers on Vine itself or on other social media accounts like Twitter or Facebook). Websites like Vimeo seem to compete directly with YouTube, although their user count is much smaller. Obviously, YouTube isn’t the only method of mixing video into your marketing strategy. However, its size and market dominance make it worth seriously considering. Additionally, it’s simple for you to share your YouTube videos on your other social media platforms.

If you’re marketing your band, you need to know who your audience is. As an independent musician, your main audiences are your existing fans (your first audience) and their connections (your second audience). With your existing fans, you want to use video to connect deeper and strengthen their loyalty to your band. Behind-the-scenes videos can make fans feel like they’re on tour or in the studio with you. Music videos let you visually tell the story behind your song’s lyrics. Announcing band news via video is the next best option to announcing it in person. All of these video uses help strengthen your fan’s connection to your band. The more committed that your fans are to you, the more likely they are to share you with those around them. In terms of your second audience, they are likely unfamiliar with your work and who you are, but they trust the opinion and recommendations of your first audience. You want to hook them, so your videos need to grab their attention and leave them wanting more of you.

Why is YouTube important in reaching your audiences? Well, remember those one billion unique monthly users? Some of them are your fans. They are already on YouTube, watching other videos. Putting your videos where they already are just makes sense. Additionally, YouTube makes it extremely easy for your fans to share your videos, either with their connections on YouTube or with their friends on other social media sites. Below every video is a “Share” tab, with links to the top ten social media platforms as well as the option to embed the video or email it to someone.

Using YouTube to Analyze Your Work and Audience

YouTube provides you with loads of information (perhaps more than any other social media platform) about your content and fans. You can see how your channels are doing by looking at the number of subscribers, the number of views, and the total time spent watching videos from that channel. You can also monitor an individual video’s number of views, amount of time watched, likes, dislikes, shares, comments, and favorites. For shared videos, you can see how often it has been shared as well as where.

In terms of fan data, YouTube provides information on the age range, gender, and general location of viewers. It also allows you to track your subscribers, helping you understand what gains fans and what loses them. You can break this down further and compare overall viewers to your subscribers. YouTube tells you where your videos are played (on the video’s page, on your channel, on other websites, etc). It also lets you see where your traffic comes from and compare organic traffic versus paid traffic.

This data about who your audience is, how they’re getting to your videos, what they’re doing with your content, and which content is most successful is extremely valuable for marketing purposes. To access this information, simply log in, click the down arrow (at the top of the page next to “Upload”), then select “Analytics”.

Getting More Out of Your YouTube Videos

YouTube gives you a way to learn more about your audience and share content with them; both features are great. With the YouTube Partners program, though, it also gives you ways to make money from that content (as long as your account is in good standing and has not been previously disabled for monetization).

First, you can monetize your videos by allowing ads on your content. When you upload the video, you’ll be able to select the ad format you want on your video. You can also go back and monetize already-uploaded videos. The video will then be reviewed (especially looking at the content and copyrights) before any ads are approved. Note: you must either own all the content yourself (you created it and have retained the rights to it) or have expressed, written permission by the rights holder to use the content; this applies to the video itself as well as the music you’re performing in the video. (Visit here for more information.) Also note that you are currently unable to add ads to private videos. To get paid, you will have to link your YouTube account to an AdSense account and then reach the set payment threshold (in the US, that’s $100).  Your profit will depend on the type of ad, the  price paid by the advertiser, and the number of views the ad gets.

Another method of making money is by profiting off of others’ use of your content. YouTube allows users to protect their copyright claims on their material (the video itself, the audio of the video, and the lyrics/melody are all addressed separately) through its Content ID program. When you join this program, you verify that you hold all the exclusive rights to your submitted content. YouTube then scans all videos (past, present, and any going forward) to see if your copyrighted material is used. If results are found, you have the option to block the video (either entirely or just the audio, and with different geographic options), track the video’s statistics, or monetize the video. If you monetize another user’s video because it has your content, the profit from the ads will go to you instead of that user.  Not every user will qualify for YouTube’s Content ID program, and it won’t work on instances of allowed use (i.e., you can’t monetize a video of a cover of your song if you authorized the cover). However, it’s worth looking into, especially if you know other users have been using your content or want to prevent others from doing so.

So, What Should You Do?

It’s hard to deny or ignore the impact YouTube has had on the internet and on the music scene, and it’s unlikely that YouTube will be going anywhere (but up) anytime soon. While YouTube won’t likely lead to your big break or help you gain a million random followers, it is still a useful tool for marketing your music, connecting with your fans, and adding to your income as a musician. Your best bet is to learn how to use it effectively… and then do so.

Do you use YouTube, and are you a consumer of content or a creator of content? How have you incorporated YouTube in your band’s marketing and social media strategies? Have you monetized your account?




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Creating and Using Your Band’s Facebook Page

Creating and Using Your Band’s Facebook Page

By NationWide Source Estimated reading time: 4 minutes

While the social media landscape is constantly shifting, Facebook has consistently dominated the scene in recent history. Using this social media platform correctly can significantly impact your band’s marketing strategy and the size of your fan base. Part of that correct usage is creating a distinct, branded Facebook page for your band.

Why Does My Band Need a Page?

Creating a distinct, branded Facebook page has several benefits. First, it gives your fans (many of whom are already on Facebook) easy access to band details, your website, uploaded videos and songs, upcoming events, your pictures, and up-to-date information. It’s also a great way to reach new fans, as interactions with existing ones often shows up in other fans’ news feeds.

Second, Facebook lets you track the usefulness of your page, which you can’t do with a standard profile.

Third, it keeps your personal profile just that: personal. As your band grows, your fans will consist of more than your family and close friends. As much as you love your fans, you might not want them to have access to every detail of your personal profile. Having an existing page gives these fans a way to keep in touch with the band while maintaining your personal privacy.

Creating Your Band’s Facebook Page

Go to Facebook’s “Create Pages” screen. Select the “Artist, Band or Public Figure” option. In the drop down menu, scroll down to “Musician/Band,” then enter the name of your group. Read and agree to the Terms and click “Get Started.”

At this point, if you were logged out of Facebook, you’ll be asked to enter your email address and password. Sign in to your account; this will set your personal profile as an admin of the group page (you can add other admin later). Note: if you don’t want to sign in to your account, you can create a profile for the band, set the entire profile to the most private settings, then fill in the public page’s info. Once you’ve signed in, fill in the blank fields. You’ll have the chance to enter a description for the band, the band’s website, verify the admin rights, upload pictures, and advertise (optional).

Now that the basic page details are set, go ahead and fill in more information. Add additional pictures and set a cover photo. “Update Page Info” will allow you to add more information about the band (genre, members, hometown, record label, influences, etc), control the security settings of the page, and set the admins (maybe each of the band members and your band’s manager, if you have one) of the page. The “More” option at the top lets you link to your music catalog. When your page is branded and ready for public viewing, write a welcome post and start sending invitations to friends.

Using Your Band’s Facebook Page

Of course, you’ll use your band’s Facebook page to keep fans informed of upcoming gigs, tours, and releases and to share press reviews, photographs, and videos of the band. But you’ll also want to track the page’s effectiveness.

When you are logged in and viewing your page, the Admin Panel at the top of the page will provide insight into your page’s activity. It shows notifications (such as likes of, comments on, or shares of your posts), recent likes of your page (by people or other pages, as well as subscribers), messages to your page, a list of friends to invite to like the page, and tips for building your audience.

The Page Insights tool (accessible through the “Insights” button at the very top of the page) is like Google Analytics but just for your Facebook page. You can see the history of your page’s likes (as well as the source of your likes), the reach of your posts, the engagement levels on your page, the number of visits to your page, external referrers (as well as the source), the traffic levels on your page throughout the day, and the demographic breakdown of your fans.

If you find yourself needing to reach more people, you can pay Facebook to increase your exposure. You can do this either by boosting a post, which promotes that individual post’s visibility, or by promoting the page itself with an ad campaign. The campaign allows you to target Facebook users by geographic area, interests, and demographic details; you can also set the budget and time frame of the campaign. If you choose to do paid advertising, you can break down your reach results on the Page Insights, comparing organic traffic to the paid (ad) traffic.

Obviously, using Facebook to promote your band is a little more complicated than simply writing a post. However, with a little practice, you can turn it into a powerful marketing tool for your band.

Does your band have a Facebook page? Has it helped increase your fan base and market your band? What advice do you have for those creating their band’s page? What have you done to maximize your page’s effectiveness? What is your favorite (or least favorite) feature?




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Music Promoters: Use One or Do It Yourself?

Music Promoters: Use One or Do It Yourself?

By NationWide Source Estimated reading time: 2 minutes

When it comes to the question of how to promote your gig or music, there is a pretty rigidly, almost exclusive split between those who swear by using promoters and those who prefer to DIY. Where do you fall on the issue?

What Do Promoters Do?

In short, music promoters build the hype around gigs and events. They either contract with the venues (promoting their events), or they work independently.

Using a Promoter

Odds are good that you want more people to come to your shows, and you want more money from your gigs. Good promoters can help with those goals. They use their existing and extensive industry contacts to draw crowds to your band’s appearances; bigger crowds mean bigger payouts. Music promoters can also get you on the radar of the right people. If a promoter worked with you before, they might recommend you to other club owners looking to fill their schedules. Having someone outside the band promote the gigs leaves you free to focus on the music. What could be bad about that?

Well, you do have to pay the promoter. So, that’s a bit less money for you.

DIY Music Promotions

Depending on the venue, you might have to use their promoter. But, for argument’s sake, let’s say you don’t have to and don’t want to. Whether you’re blessed with a knack for marketing and promotions or are wrapped up in the magical fairytale about the exhausted, busking musician who gets his big break on the very last leg of a very exhausting tour (isn’t that a nice thought?), you’ve decided that you can handle your own promotions. That’s fine. Really, it is.

But, if you want results, you’ll have to work hard. Make your own connections; get to know those in your local music scene on a first name (both ways) basis. Go to the bars and venues where you want to play; meet the managers, owners, and bartenders. Let them know you’re serious about your band, and leave a press kit or demo with them. Build friendships and alliances with other bands, so when they see an open slot at their gigs they call you first. When you have a gig, tell everyone. Post it on your website and your social media accounts, put up posters around town, call your friends and their friends. Be aware that the time you invest in promoting might impact your music or your personal life.

Promoter or not, at the end of the day, you need to be your biggest mouthpiece. Choosing to go without a promoter just makes it even more important.

Have you worked with promoters before? Were they chosen by the venue, or by the event, or by you? Did you also promote the gig? How did the experience go for you?

See also: 4 Cost-Free Ways to Promote Your Music




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Music and Social Media: LinkedIn

Music and Social Media: LinkedIn

By NationWide Source Estimated reading time: 2 minutes

Unlike other social media platforms, LinkedIn is not aimed at helping fans find you or you communicate with the masses. Instead, its purpose is to facilitate networking within industries. On a personal account, this means adding business connections instead of friends and family. For your band, it means focusing on your peers and others in the music industry, not your fans. Here are a few tips for maximizing what LinkedIn has to offer:

Connect With The Right People  

Again, LinkedIn is not like other social sites. Focus on the quality (not quantity) of your connections; connect with those that can actually benefit you, either by example, advice, or working together. Music managers, media personnel, marketers, and other musicians are contacts that will help you advance your career. 

Be Professional  

It’s accepted (if not expected) that you have fun with your band’s Instagram or MySpace page; however, your LinkedIn profile should be polished and professional. Keep your page free of clutter and ill-conceived ramblings; focus on making the best impression possible. Make sure any links you share will send users to relevant, attractive, information-packed sites.  

Optimize Your Page For Searches  

Aside from direct connections, keywords are the best way to generate new traffic to your profile. Think of words that promoters and record labels are likely to search for; this includes your band’s genre, location, and your music’s subject matter.  

Use Your Resources  

You are not alone. Hundreds of bands and promoters use LinkedIn every day, discussing various aspects of the industry. If you have questions, use your connections as resources. Start by joining groups related to your band or interest (Independent Artists and Musicians, or Music Promoters of America). If you have something to contribute, comment on existing discussions; or, if you don’t see an existing thread with your topic, start a new discussion.  

DON’T Spam! 

We’ve said it before, but it’s even more important on LinkedIn. Spamming on other sites might cost you a few fans; on LinkedIn, spamming equals banning. Keep comments and updates professional and relevant, and save the spam for the grocery store.

Having a lot of fans is an important part of any band’s success, but it’s certainly not the only part. If you want to take your band to the next level—a professional level—then you need to treat it like the business that it is. Use LinkedIn to connect your band to right resources to make that happen.

Is your band on LinkedIn? How have you used it to help advance your music career?

See also: Music and Social Media: Promoting Your Act, Music and Social Media: Facebook, Music and Social Media: Twitter, Music and Social Media: MySpace, Music and Social Media: YouTube, Music and Social Media: Google+, Music and Social Media: Instagram.




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Press Kits & Your Band

Press Kits and Your Band

By NationWide Source Estimated reading time: 2 minutes

As a band, music marketing and the right supplies are something you need to think about. If you meet someone at a bar, show, or around town, do you have an eye-catching, informative business card with you? If not, you just missed an opportunity. Having the right marketing materials can make or break you.

In the past, press kits have been an essential marketing material for musicians. However, in a changing music industry, you might wonder if they still necessary. The answer: absolutely!

The Role of Press Kits

Press kits were sent to record labels, music reviewers, clubs, and managers as a way of familiarizing the recipient with the band. They included a press release with current news about your band (new releases, tour, studio) as well as a band bio. A single, full album, or demo and band photo(s) are also often part of the package. Because a press kit may be your band’s first and only chance to make an impression, have a polished, professional, and interesting press kit ready to go.

Digital Press Kits

As technology has advanced, an electronic or digital press kit has emerged as a greener, more state-of-the-art alternative to the traditional physical version, containing the same or more content but in digital format. They allow the recipient to quickly click a few links, preview your music, read your bio, and make a decision. If you want to create an electronic press kit for your band, websites like SonicBids and ReverbNation can help. If creating your own, be sure to include links to your band’s music, website, and social media accounts and text with your band’s latest press release.

Physical vs. Digital

Some artist reps, media outlets, blogs, magazines, record companies, and booking agencies will only take a physical press kit, while others will only take a digital press kit. For now, your best bet as a band is to have both types ready and available.

Submitting Your Press Kit

There is a good chance that most places you would submit to have their submission guidelines available online. If you can’t find their submission policies online, give them a call or send a friendly email. The point is, be sure to follow their guidelines and send them exactly what they want in the format(s) they want. There is no faster way to earn a negative review or annoy someone you want to impress than to ignore their submission requirements.

Have you created a press kit for you band or act? Did you go with a physical press kit, an electronic press kit, or both? How do you use it the most?

See also: ReverbNation and Your Music: Streaming and More




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Music and Social Media: Instagram

Music and Social Media: Instagram

By NationWide Source Estimated reading time: 3 minutes
Unlike more-generalized social media platforms, Instagram specializes in something: sharing photographs. In fact, that was all you could use the virtual photo album for until last year, when they began allowing short video clips. Regardless of its specialization, Instagram is a wonderful way to connect with your fans on a personal level.

To get the most out of Instagram for your band, here are a few tips:

Get creative

With its various photo filters and many challenge groups, Instagram was the first major social media platform to encourage users to play with their photographs. Feel free to explore their filters (or use one of hundreds of photo-editing apps) and participate in challenges; get creative with your shots, trying new angles or styles. You can even share a short video clip of your most recent gig or slideshow of images from a trip or event. Bonus: the video or slideshow should feature your band’s music.

Act Naturally 

Save your staged photos for album cover art. Instead, post photos your fans can relate to, photos of you and your bandmates doing ordinary things. Whether it’s a snapshot of a massive burrito from an all night diner while on the road or a behind-the-scenes look at band practice, your fans will love you a whole lot more if you can show them just how “normal” you really are.

Add Captions  

They say that “a picture speaks a thousand words”, but a caption can summarize it beautifully. Make sure to add captions to your photos to help your fans know what they are seeing. 

Use hashtags  

Hashtags are key to helping random users discover your account. Just add the hashtags to the caption of your photo using the number sign (#) and a searchable keyword description of the image without spaces (#houseparty, #livemusic, or #thekickstour2014, for some example). Do follow Instagram etiquette, though; make sure your hashtags are relevant to your picture.

Get help 

Unless you’ve got your own personal photographer, chances are you won’t have time to be shooting all of your photos by yourselves. Ask your fans to take pictures of your band at gigs or take pictures of themselves hanging out, listening to, or imitating your band. Have them upload their photos on their own Instagram accounts and tag you to get more traffic your way. If their pic is phenomenal, you might consider reposting it; be sure to give them credit, though. Also, be sure to tag other users (bands you’re performing with, venues you’re at, or fans you’ve met) if they’re in your pictures.

Sync your accounts

With Instagram, posting photos directly to your other social media platforms is easy. As a word of caution: be sure to check your default settings and the active account (if you have a personal account and a band account) prior to posting to keep from sending a picture to the wrong crowd.

In the end, Instagram delivers what your fans want. Sure, they like your music, but they want to feel like they know you. Why not hand them a photo album to thumb through?

Have you used Instagram? Was it a personal account or one for your band? Did it affect the size or quality of your fan base?

See also: Music and Social Media: Promoting Your Act, Music and Social Media: Facebook, Music and Social Media: Twitter, Music and Social Media: MySpace, Music and Social Media: YouTube, Music and Social Media: Google+, and Music and Social Media: LinkedIn.




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